Young Artist Hoping to be Discovered
"One art adviser who works at the top of the market says that a collector is “like a diseased human being ... these people love to buy, and they love to buy art. The process is a very deep-seated urge. This idea of hunting and gathering—it’s not a new one.”
This is a quote from the article " Why is Art So Damned Expensive?" by Blake Gopnik in the Daily Beast. It is an insightful look at the top-end buyers of the art market. Gopnik discusses what motivates the super wealthy to spend vast amounts of money for art. According to Gopnik there are five reasons why, in a down economy, sales of high-end art is up 34% from 2010. It is a fascinating read.
This look into the motives of the 1% top art buyers gives some insight into our own customers and may help us to better understand our clients. Below are my insights into the five reasons Gopnik lists about why art is so expensive:
- The Prestige Factor
Art and prestige have always been partners. The very idea of being an art collector gives status to spending. It is a feeling that we are using our money for something loftier than a big flat screen TV or a luxury car. Art gives the image of culture, supporting an artist with a purchase is another way to patronize the arts and the art itself enriches the collectors life. Catering to the prestige element is why some galleries have stayed successful. Even museums have added prestigious exhibitions to their yearly calendars. The art reception for these events is a coveted ticket where collectors and corporations want to be seen buying high-priced art. Buying online will never have that kind of prestige factor and maybe the price points you and I buy and sell at are not in the same arena but I still contend that keeping the purchase of art in respected surroundings is important to maintaining that "Prestige Factor."
- Dollars Are Easier to Measure Than Beauty
Recently there was a discussion online about ditching the "never lower your prices" rule. After reading this article in The Daily Beast, I am even more convinced that lowering your prices to sell more art is a bad idea. Since collectors buy what they love, price is rarely an issue so I am not sure what is to be gained by lowering your prices? It is doubtful that a collector will buy a painting they like less than another because of a few hundred dollars in price. Discounts only lead to more discounts. I learned this simple rule working retail. Unless you want to get caught in a downward spiral of pricing (just look at retail for Black Friday; sales up, profits down) don't lower your prices. Art should be bought for art’s sake but there is no denying that collectors love it when the value of their art purchases rise. The price of your work is how a collector measures its value. If a work of art is perceived to be worth less, won't a collector look at that work differently. Is it an advantage for art to be a bargain item like a discounted sweater in a pile of discounted merchandise? The act of lowering one piece of art cheapens all the others. If a buyer can get a bargain rate on one work of art, why not all? It is bad for you and everyone to cut your prices.
- The Thrill of the Hunt
Gopnik brings up an interesting point. It isn't fun to hunt if there is no game. He concludes that with so few old masters available, collectors have turned to contemporary artists and specifically modern art. Why is it exciting to sit in a gallery and have the salesperson bring treasures from the back room only for you to see? Because everyone loves the thrill of the hunt and finding a treasure before anyone else, satisfies our hunters heart. But flooding the market with your work will also damage your brand. Diamonds are one of the most valued stones in the world even though they are also one of the most abundant. The idea that they are rare is only our perception which is controlled by a handful of supplies who keep tight control of distribution. This sounds vaguely like the art dealers who sell high-end art. Distribution is key. If the market has a glut of anything, the perceived value is diminished. During tough economic times some artists think that more is better and will throw more work out there hoping for sales. Again, this is self-defeating and will only continue to cheapen the brand. I would suggest that if the work isn't selling, pull it out of circulation and replace it with new work. Perhaps in a year or two these pieces will again be in demand.
- New Money Skews the Market
According to this article, high-end art is up 34% over 2010. Yes, he is talking about Eli Broad caliber collectors here. So while the high-end of the art market is enjoying a surge, the opposite problem is plaguing mid-priced and emerging artists. Very wealthy buyers are spending more than ever while the rest of us are experiencing a shrinking market. Fewer sales of homes means less walls to cover, less sales, fewer galleries, well you get the idea. In addition, as more and more of the baby boomers retire and pursue an alternative art career, more mid-level (some would say low-level) art appears on the market causing an unwanted glut of merchandise. I won't get into a cause and effect discussion here. Let's just agree that since most people have less disposable income there are less sales in art for the average artist. The circumstances are in place to eliminate a bunch of artists from the herd. In the long run, this may not be a bad thing but short term, it will be painful for some artists who find their work out of favor.
I can't make this stuff up so please read this section of the article. The High Price of Patronage
This paragraph expresses the amazing excess that is lavished on art but also confirms an emotional investment by the patron as well. It implies that once purchased, the art is too precious to just sell for a profit. All collectors are emotionally invested in the art they buy, irregardless of the price. It is that emotion which triggers the purchase. Without it, you can't give your art away.
Closing, I want to say that I am sympathetic to artists who are finding themselves in a financial pickle and are contemplating different solutions. Just remember that the basic nature of collectors hasn't changed. Buyers still purchase art for the same reasons. It is just that now there are fewer buyers and finding them is more difficult.
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6 Responses to Is Buying Art a Disease?
Great information!!!! I really dig stories like this about the art world. Keep up the good research.
Thanks so much for sharing such insightful information, Sharon. It mirrors my thoughts exactly. Rather than lower our prices,I maintain that it's smarter to devise new ways of deepening connections with our existing buyers, and exploring ways to attract new buyers. Slashing prices is what stores going out of business do. I think this would be the kiss of death to an artist planning to stay in business. Make small, inexpensive pieces and offer them on Etsy. Reward your active collectors with freebies. Send a small, inexpensive freebie to inactive collectors with a note saying "Hi, how are you? Hope to see you at my next opening." Expand your current mailing list and use it. Forge cooperative agreements with retailers to display your work. Stage temporary exhibitions in vacant storefronts. Take in ironing, if you must, to make ends meet. But de-value your work by holding a "fire sale"?? Never!
Lynn, You sure have a lot of great alternative ideas for selling. I am going to make some notes from your comment. Lowering your prices is the least imaginative, easy way to tackle selling problems but as I said it doesn't really "fix" anything.
Initially, I was infuriated by this subject, but with further contemplation, I found a fallacy in my position: because my own definition of "art" is the crafted manifestation of an idea, and since expensive art collection is (in fact) a form of premeditated self-expression, then it must follow that the acquisition of art as a statement of wealth is, in fact, an artistic act! And so, enlightened by this realization, I set out to explore how the roles of patron and artist can be blended, blurred and transposed. The Art of Commodifying the Commodification of Art is the materialization of what I discover:
Your logic is interesting and I agree that collectors are expressing themselves when they purchase art. The argument of what is art is a long and complicated one but I can see your point that the acquisition of art is an artistic act. There is something to be learned from analyzing how collectors think while buying and how their motives are reflected in the art. As a commodity, art is a fascinating subject. Thanks for your views and I am glad that my blog stimulated some interesting contemplations.
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